I’ve just gotten my first jailhouse book review. It comes from Conrad Black, who Tina Brown has recruited to write for her new Web site during his free time sitting in federal prison for all manner of financial misdeeds (although nowhere in his article or bio is there a mention of his current situation). This is a new sort of Web journalism: dramatically discredited people reinvented as Web opinionists—Slate just hired Eliot Spitzer in this vein—who will work for free. (Tina Brown herself, dramatically discredited in her own way, is using the Web for a similar type of reinvention—though she, presumably, is not working for free.)
The point here is partly one made since the beginning of Internet time by journalists of a stricter cast: The Web lacks, to say the least, a trustworthy or reliable or, even, establishable provenance. It’s 90% balderdash. But what was once its drawback has now become its glory—its rulelessness is a lot like freedom from the bores of conventional media. The fact, for instance, that Conrad Black is both a subject of my book and a convicted felon (i.e. he’s lied about the very issues I’m discussing) might ordinarily make him a suspect reviewer. But his true function on the Web is not to review, but to be outlandish, part of a new freak show. Black and Spitzer, and, in a way, Tina herself, are not so much to be taken seriously but to be taken as novelty acts. It’s a laughing-at-them thing.
(AP Image)
But there may be here a generational divide. Whereas a certain Web population regards this as a hoot, many of the same people who once derided the provenance of the Web now take it seriously precisely because these new Web voices—however peculiar and creepy—are one of them. Conrad Black, even in jail, Eliot Spitzer, run out of office, Tina Brown, mooching off of Barry Diller, are somehow to be taken seriously. Howard Kurtz, the longtime media commentator for the Washington Post, recently wrote a column about Tina, among the most profound technological nudniks of the time, with the headline "TINA REINVENTS THE WEB." That’s weird—that’s breathless and pathetic bullshit.
As for Black, who can from his prison cell dismiss his current plight by saying that prosecutors lost 85% of their case against him and the rest is on appeal, and try to argue that Murdoch lost the London-newspaper circulation wars that forced Black to rob his shareholders to sustain the cash flow that supported his luxurious life, he’s clearly lost his mind. This, of course, is not a surprising effect of a fall from the heights to the depths, from luxury into squalor, from being endlessly stroked to being constantly mocked.
But pathos is not a condition displayed so easily on the Web.