Blige Airs Growing Pains

Rap's up-and-coming name follows in the footsteps of Kanye West, Andre 3000

(NEWSER) - The premise of Kanye West protégé Kid Cudi’s Man on the Moon: The End of the Day is that he’s “not on the same planet as other rappers. The truth is that he’s not in the same genre,” writes Julian Benbow for the Boston Globe. The debut album “is a lot of things. It’s spacey, adventurous, and ridiculously intriguing if only because it’s so different. But it’s not rap”—more like “experimental and emotional hip-hop.” Elsewhere: More»

(NEWSER) - Jay-Z's new Blueprint 3 seems to have critics divided. Some see flashes of brilliance showing the rap veteran at his best, while others see a mediocre effort that relies too much on celebrity.

• Jay-Z sounds "hungrier than he has in years on about half the tracks, while sharing time with guest stars or grappling with undercooked production on the rest," writes Greg Kot for the Los Angeles Times. "Yet even at three-quarters speed, Jay-Z can still be formidable."

Maxwell, K'Jon lead return to classical soul era's adult themes and sound

(NEWSER) - Soul music has always been adult, conveying mature themes like financial insecurity and emotional anxiety. Now, with the emergence of K’Jon and the return of Maxwell, it finally sounds adult, too, Jon Caramanica writes in the New York Times. “K’Jon and Maxwell represent a strain of R&B that has remained blissfully ignorant of the rise and domination of hip-hop,” writes Caramanica. More»

Sure, her life wasn't all hard, but don't write her off as a rapper

(NEWSER) - “Even in a ‘post-race’ world, street sells,” writes Amy Granzin for Pitchfork. That would explain why some looked at Speech Debelle—the once-homeless UK rapper turned Mercury Prize nominee and "hip-hop's next big thing"—and spun “a tiny bit of flash into blinding bling.” The truth is, Debelle had a middle-class, “girl-next-door” upbringing—but don’t write her off. Her debut, Speech Therapy, is “fine, fresh, serious (yet never dour),” and it “speaks for itself.” More»

(NEWSER) - The Black Eyed Peas' new album, The E.N.D., isn’t of much consequence, but that’s just as well. Reviewers generally appreciate the party-hardy attitude.

• “Ever true to their defining characteristic, the Peas have no shame,” Ann Powers writes in the Los Angeles Times. “Fergie puts on ill-fitting dreadlocks for the faux-Jamaican Electric City and goes hilariously punk in Now Generation, a rant about social media that sounds something like Bob Dylan's Subterranean Homesick Blues rewritten on a Sidekick."