Nothing Divine in Lee's Miracle

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  Dec 26, 08 10:30 AM CST
  Revolutionary Road, a 1950s-era drama about marriage, love, and angst, has its flaws, but ultimately it works, writes Kenneth Turhan in the Los Angeles Times. That’s largely thanks to stars Kate Winslet and Leonardo DiCaprio and director Sam Mendes, who overcome a storyline that seems “as dated as the language” used in the film. “Only a stone, frankly, would not be captured by the honesty and intensity of Winslet's performance,” he adds.
  
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• Button Looks Great, Less Filling

  Dec 24, 08 3:47 PM CST
  The Curious Case of Benjamin Button is enjoyable and visually striking, but many critics feel David Fincher and Brad Pitt fail to mine the story of a man who ages in reverse for moments of real emotional depth. Pitt “gives you no hint what his character makes of the changes,” writes David Edelstein in New York, “he just stares ahead and lets his makeup do the acting.” More »

• Cruise Makes Valkyrie Bumpy Ride

  Dec 24, 08 2:01 PM CST
  Valkyrie isn’t that good—and surely not Oscar-worthy, Peter Travers writes in Rolling Stone. “And the sooner you accept it, the more fun you’ll have at this satisfying B movie.” The supporting cast is fantastic, and Tom Cruise’s presence just serves to make “you wonder why the SS man we’re rooting for is an American, while most of the other Germans are British,” writes Michael Phillips in the Chicago Tribune. More »

• Yes Man ? No, Thanks

  Dec 19, 08 12:55 PM CST
  Yes Man, a Jim Carrey comedy about a guy who can’t say no, is “too sluggish and slapdash a vehicle for its star’s prodigious wackiness,” writes AO Scott in the New York Times. “Carrey looks too grown up, too tired to plunge into the reckless silliness that the story demands, and the story doesn’t really demand enough of it.”
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• Gran Torino is Vintage Eastwood

  Dec 12, 08 3:57 PM CST
  Clint Eastwood has hinted that Gran Torino might be his last gig in front of the camera, and “it is a humdinger of a valedictory,” writes Peter Travers in Rolling Stone. The movie, which tells the tale of a bigoted Korean War vet’s redemptive attempt to clean up his neighborhood, “is Eastwood’s hell-raising salute to every hard-ass he’s ever played.” More »