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Hollywood Is Fatal to Fabulous Books

By Kate Schwartz,  Newser Staff

Posted Feb 17, 2009 6:43 PM CST

(Newser) – Willing Davidson knows his complaint isn't original. But he can't help asking in Slate, "Why does Hollywood take our favorite novels and turn them into crap?" In Richard Yates' Revolutionary Road, readers see their own hopes within those of his characters; in the movie, character replaces plot "and the result lands with a wet flop." This is typical: "There's so much plot to get in that there's no time to tell the story" (even if 2 hours feels interminably long enough).

But film doesn't have to be "the flashy, gelled-hair cousin to literature," Davidson discovered while watching Mishima: A Life in Four Chapters. The story is so complicated you'd expect a confusing mess. Instead, the director did the brilliant: He didn't respect the plot. "Perhaps it's the insecurity of Hollywood," writes Davidson. "Inflated by the borrowed prestige of books, producers and directors won't stray too far from the guide-ropes of the story."

Revolutionary Road, the film, recipient of much of Davidson's scorn.
"Revolutionary Road," the film, recipient of much of Davidson's scorn.   (AP Photo/Paramount Vantage, Francois Duhamel)
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While The Curious Case of Benjamin Button and The Reader are definitely terrible movies, Revolutionary Road is both the worst movie I saw this year and one of the best novels I've read. - Willing Davidson

In our post-The Reader world, I can safely say that I'd rather personally digitize back issues of Talk magazine than see another movie based on Harvey Weinstein's favorite book. Scott Rudin can fuck off, too.
- Willing Davidson

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COMMENTS
Showing 3 of 3 comments
Guest
Feb 18, 2009 12:56 AM CST
There's always exceptions.
drlarrymitchell
Feb 17, 2009 9:33 PM CST
The exception that proves the rule: FIGHT CLUB.
Guest
Feb 17, 2009 7:19 PM CST
Perhaps it's because the authors have talent.

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