Few Surprises in Deception

Spy film gets wide, warm reception

(NEWSER) - Critics aren’t hiding their love for the twists and turns of Duplicity, a combination “caper movie,” “love story,” and “extra-dry corporate satire,” AO Scott notes in the New York Times. The buzz on the Julia Roberts-Clive Owen flick:

• "Attempts—and to a surprising degree, succeeds—to pour a classic vintage into a 21st century bottle," writes Michael Phillips in the Chicago Tribune.

Top-notch performances make prize-winning play work as a movie

(NEWSER) - Doubt erases any qualms over whether the claustrophobic, Pulitzer Prize-winning play would work on the big screen, say critics. A "frighteningly good" Meryl Streep stars as the hardline principal of a Bronx Catholic school in 1964, Lou Lumenick writes in the New York Post. A game of cat-and-mouse begins when Streep's nun suspects a priest, played by Philip Seymour Hoffman, of molesting the school's first African-American student. More»

Cop thriller a little too much like every other cop thriller to be a classic

(NEWSER) - Pride and Glory has all the ingredients of a great cop thriller, critics say, but they're ingredients that have been recycled a few too many times. Edward Norton, Colin Farrell, Noah Emmerich, and Jon Voight turn in fine performances as a family of New York cops, Bill Goodykoontz writes in the Arizona Republic, but they are "cut off at the knees by stilted, clichéd writing." More»

France delivers excellent old-style Hollywood thriller

(NEWSER) - French thriller Tell No One has the critics rushing to tell the world how much they liked it. The fast-paced and thickly plotted adaptation of a novel by American writer Harlan Coben is "hot-blooded, haunting and packed with the pleasures of the unexpected," writes Peter Travers in Rolling Stone. More»

Dull plotting, acting undermine high-concept thriller

(NEWSER) - The concept for Jumper seems promising: An awkward teenage boy who discovers he has the power to instantly teleport himself to anywhere on the globe is targeted for elimination by religious fanatics. And in some respects the film delivers on that promise. "The jumping effect is faultlessly executed," writes Empire's Olly Richards, adding that the movie "packs some cracking action" into its relatively short 88-minute running time. More»