Spike to Clint: 'We're Not on a Plantation'

Clint rejects criticism from black filmmaker

(NEWSER) - At 78, Clint Eastwood doesn’t have much patience for his current critic Spike Lee. The most influential African-American filmmaker has taken issue with the lack of black people in Flags of Our Fathers and, previously, with having a white man direct Bird, the 1998 Charlie Park biopic. "A guy like him should shut his face," the five-time Oscar winner told the Guardian. More»

...and 'the greatest film ever made'

(NEWSER) - The Criterion Collection re-release of Masaki Kobayashi’s The Human Condition does high-definition justice to the WWII film critic David Shipman has called “unequivocally the greatest film ever made,” according to Very Short List. The movie follows a good—and handsome—man through the “innumerable trials in World War II–era Japan.” You may even be "surprised by how profoundly moved you are by hour nine.” More»

Why isn't first black princess with black prince?

(NEWSER) - Disney has unveiled its first black princess—but her prince appears to be white, and the criticism is pouring in, the Mail reports. In the upcoming The Princess and the Frog, New Orleans’ Princess Tiana is voiced by Dreamgirls actress Anika Noni Rose—and while her prince hails from “Maldonia” and is voiced by a Brazilian actor, he looks decidedly white in recently released pics, say some. More»

(NEWSER) - The trailer for Quentin Tarantino’s new film, Inglourious Basterds, is just 100 seconds long, but that's enough. "Perhaps there will prove to be a level of postmodern self-ironising,” Paul MacInnes writes in the Guardian. “Perhaps serving up Kill Bill with the Holocaust as a backdrop will be a fabulously worthwhile endeavor.” More likely, he writes, "This is going to be the worst film ever made!" More»

(NEWSER) - American art houses are finally getting a taste of Katyn, legendary Polish director Andrzej Wajda’s acclaimed film about the World War II-era massacre of the same name, and critics are heaping yet more acclaim on it. AO Scott of the New York Times calls it “solemn and searing,” while Andrew Sarris of the New York Observer says Wajda “has made a heroic effort to translate a historical crime into a saga of human hope and delusion.” More»