On Relapse, Eminem Still Nasty, Still Genius

Sure, her life wasn't all hard, but don't write her off as a rapper

(NEWSER) - “Even in a ‘post-race’ world, street sells,” writes Amy Granzin for Pitchfork. That would explain why some looked at Speech Debelle—the once-homeless UK rapper turned Mercury Prize nominee and "hip-hop's next big thing"—and spun “a tiny bit of flash into blinding bling.” The truth is, Debelle had a middle-class, “girl-next-door” upbringing—but don’t write her off. Her debut, Speech Therapy, is “fine, fresh, serious (yet never dour),” and it “speaks for itself.” More»

Rapper talks about how he's never been in a better place

(NEWSER) - Where has Eminem been since his last album hit the shelves in 2004? At first, mostly drowning in a sea of depression and prescription drugs, the rapper says in an interview with the Guardian. But for a year now he's been clean and focused on getting back to his roots—which means drawing inspiration from serial killer films. More»

Amy Winehouse and Blink-182 are back, plus more hot releases

(NEWSER) - Forget Susan Boyle and Taylor Swift: This year promises to be a great one for music, with comebacks by big names and exciting follow-ups from breakthrough artists. MTV takes a look at the most anticipated albums of 2010:

• Amy Winehouse : The troubled singer will, supposedly, finally complete the sequel to her Grammy-winning Back to Black.
• Katy Perry : She’s worked with Rivers Cuomo of Weezer as well as a Rihanna collaborator on her follow-up to One of the Boys.

Rapper can't quite nail a return to his glory days on new album

(NEWSER) - 50 Cent, once at the forefront of rap music, returns with Before I Self Destruct—but his fourth solo effort isn’t impressing the critics. “Though packed with tough beats, dense production and 50's most ferocious delivery in years, the gloats about shootings, drugs and bloody 'hoods feel about as fresh as a Saw sequel,” writes Edna Gundersen in USA Today . The album “isn't likely to renew 50 Cent's currency.” More»

Rap's up-and-coming name follows in the footsteps of Kanye West, Andre 3000

(NEWSER) - The premise of Kanye West protégé Kid Cudi’s Man on the Moon: The End of the Day is that he’s “not on the same planet as other rappers. The truth is that he’s not in the same genre,” writes Julian Benbow for the Boston Globe. The debut album “is a lot of things. It’s spacey, adventurous, and ridiculously intriguing if only because it’s so different. But it’s not rap”—more like “experimental and emotional hip-hop.” Elsewhere: More»