Motion-Capture Christmas Carol Hits Wrong Notes

True story of gay con-man highly divisive

(NEWSER) - Some critics are head-over-heels for I Love You Phillip Morris; others feel quite the opposite about the film, in which Jim Carrey plays a gay conman. (It's currently favored by 76% of critics on Rotten Tomatoes, though audiences give it a lesser 55%.)

• At the New York Times , Stephen Holden loves the picture: “With his manic glare, ferociously eager smile, hyperkinetic body language and talent for instant self-transformation, Mr. Carrey has rarely been more charismatic on the screen.”

Incredible studio turns out another incredible movie

(NEWSER) - It's only June, but Toy Story 3 already has one call for best movie of the year. In fact, Dan Kois of the Awl goes so far as to declare that “the people of Pixar are currently America's most important filmmakers.” This movie is “totally bonkers,” with loads of crazy scenes—like a mushroom cloud made out of a trillion plastic monkeys—real laughs, and truly exciting moments. And then comes the last 15 minutes, “which I spent bawling, as did every moviegoer around me.” More»

Film tells of burlap robot battling through frightening world

(NEWSER) - The creepy tale of 9, which depicts a burlap-bodied robot’s (Elijah Wood) quest for his origins while battling bad guys in a post-apocalyptic world, looks incredible—but its script leaves something to be desired.

• “Long on imaginative design but less substantial in narrative, this dreary story of fighting the power is more numbing than thought-provoking,” writes Claudia Puig in USA Today.

Familiar Carrey antics seem tired in positivity flick

(NEWSER) - Yes Man, a Jim Carrey comedy about a guy who can’t say no, is “too sluggish and slapdash a vehicle for its star’s prodigious wackiness,” writes AO Scott in the New York Times. “Carrey looks too grown up, too tired to plunge into the reckless silliness that the story demands, and the story doesn’t really demand enough of it.” More»

After lousy 'Blindness' opening, Bashir shakes up festival

(NEWSER) - Now that's more like it. After a typically lousy opening—allegorical disaster Blindness—the Cannes Film Festival shook things up yesterday with Waltz with Bashir, a ferocious animated documentary from Israel recounting the 1982 massacre at Palestinian refugee camps in Lebanon. It’s “stunning,” writes Manhola Dargis in the New York Times, “at once a furious act of conscience and a lament.” More»