Female protagonist is a poor argument for stodgy Amelia
This weekend's battle at the multiplex, where sci-fi trounced Amelia Earhart, has carried over into the world of virtual opinion. Washington Post
critic Ann Hornaday fired the first shot, and Sady Doyle fires back, explaining that she senses a “note of condescension.” See Amelia
, Hornaday implores. “No...