(Newser) -
While some critics are calling Stop-Loss , Kimberly Peirce’s long-awaited Boys Don’t Cry follow-up, earnest and, at times, riveting, none of them seem to see it as the definitive Iraq war film. But the picture, about some GIs who’ve completed their tours of duty only to be told they’re being sent back to the front, still “strikes a universal chord that transcends politics,” writes Peter Travers in Rolling Stone .
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