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Huge LeWitt Exhibition Is Beautiful Lunacy

Mass. retrospective traces artist's work in Minimalism and Conceptualism

By Jason Farago,  Newser Staff

Posted Nov 17, 2008 12:16 PM CST

(Newser) – Sol LeWitt died last year, but his artwork is still being created—executed by handlers according to written instructions. This weekend marked the opening of a massive exhibition of LeWitt’s wall drawings at the Massachusetts Museum of Contemporary Art, an exhibition Sebastian Smee, in the Boston Globe, calls “as wonderful as anything I've seen in years.”

The exhibition takes up 30,000 square feet in a converted industrial building—redesigned especially for LeWitt’s drawings, which are done directly on the wall. With works ranging from rigid geometrical compositions to boisterous squiggly networks, the quarter-century exhibition, writes Smee, “is sure to become a site of pilgrimage for all those susceptible to the proposition that life can be beautiful as well as absurd.”

A wall drawing by Sol LeWitt.
A wall drawing by Sol LeWitt.   (AP Photo)
A detail of Wall Drawing #65, a 1971 work by Sol LeWitt. A posthumous retrospective will remain on view for at least 25 years at the Massachusetts Museum of Contemporary Art.
A detail of "Wall Drawing #65," a 1971 work by Sol LeWitt. A posthumous retrospective will remain on view for at least 25 years at the Massachusetts Museum of Contemporary Art.   (©takomabibelot)
The exterior of the Massachusetts Museum of Contemporary Art in North Adams, which is showing works by Sol LeWitt.
The exterior of the Massachusetts Museum of Contemporary Art in North Adams, which is showing works by Sol LeWitt.   (©albany_tim)
A view of the new Sol LeWitt exhibition in the Berkshires. The show will remain on view for at least 25 years.
A view of the new Sol LeWitt exhibition in the Berkshires. The show will remain on view for at least 25 years.   (Massachusetts Museum of Contemporary Art)
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If it all sounds crushingly dull, the miracle is that it's not. It's as light and airy and joyous as can be. - Sebastian Smee, on the Sol LeWitt retrospective

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