At 50, Kind of Blue Still Totally Awesome

His theory influenced Miles Davis, John Coltrane

(NEWSER) - Jazz innovator George Russell died at 86 yesterday in Boston of Alzheimer’s complications, the Globe reports. Russell developed a jazz theory that played a key role on landmark records like Miles Davis’ Kind of Blue and John Coltrane’s A Love Supreme. Russell’s theory “gives you a lot more freedom and space to hear things,” Davis said. More»

(NEWSER) - 2009 marks the 50th anniversary of jazz’s best year jazz ever, Martin Johnson writes for the Root. 1959 saw canonical discs from genre royalty: “Miles Davis’ Kind of Blue, John Coltrane’s Giant Steps, Ornette Coleman’s The Shape of Jazz to Come, Dave Brubeck’s Time Out and two by Charles Mingus, Blues and Roots and Ah-Um.” This was the era, Johnson writes, “when commercial success and artistic inspiration merged.” More»

Theater, jazz, poetry collide in East Room event

(NEWSER) - Spoken word, jazz, and theater took the White House by storm last night in what has been called the first presidential poetry jam, the Washington Post reports. “We're here to celebrate the power of words,” President Obama said, adding that his wife is his poet. The jam, Michelle Obama said, was something she had wanted to do “from day one.” More»

Topselling jazz album helped redefine American music

(NEWSER) - Fifty years to the day since its debut, Miles Davis’ signature album Kind of Blue remains beautiful and inviting—"like meeting an old friend," Malcolm Jones writes in Newsweek. The record helped jazz earn its title as America’s classical music and remains the bestselling jazz album ever. "You won’t find recordings that boast more thoughtful compositions or performances of any higher caliber," Jones writes. "The music has no weak spots." More»

NY radio jock keeps jazz boppin', stumps die-hard know-it-alls

(NEWSER) - A white guy from Queens may be our best link to a music rooted in black history. Phil Schapp grew up in a home full of jazz, and has hosted a radio show obsessed with the music's minutiae for decades, the New Yorker reports. He's liable to digress on Charlie Parker's pronunciation of "Okiedoke," but that's an improvement: "For the first twenty years, I was concerned about telling you absolutely everything about every tune," he said. More»