Thousands Pay Respects to Pavarotti

62-year-old's departure leaves one of Three Tenors

(NEWSER) - Unable to perform at the level he considers acceptable, José Carreras will retire from opera, the least prominent of the Three Tenors tells the Times of London. Unamplified lead roles in opera houses are more than the 62-year-old Spaniard can handle, he said. “If I can do concert recitals, adapting the repertoire to my needs, then no problem, that’s good enough. But with operas, unless the right circumstances come up, my career is done.” More»

(NEWSER) - Modena's main piazza was filled with throngs of Luciano Pavarotti fans today as invited mourners gathered at the cathedral for the tenor's funeral. The service, which was shown on huge screens in the piazza and broadcast live, was attended by an ecclectic group of dignitaries and artists with whom the opera star had collaborated, including former U.N. Secretary-General Kofi Annan and U2 lead singer Bono. More»

Succumbs to cancer surrounded by family in hometown Italian villa

(NEWSER) - Opera star Luciano Pavarotti, one of the greatest tenors of the last century, died early this morning of pancreatic cancer, surrounded by his wife, sister and four daughters, in his hometown villa in Modena, Italy. He was 71. "The Maestro fought a long, tough battle," said his manager. "Fitting with the approach that characterized his life and work, he remained positive until finally succumbing to the last stages of his illness." More»

Stupendous soprano had 'voice of the century'

(NEWSER) - Joan Sutherland, the soprano Luciano Pavarotti once called "the voice of the century," has died at her home in Switzerland at age 83. The Australian-born singer—known as "La Stupenda" or "The Stupendous One" to opera audiences—became one of the most celebrated opera singers of all time thanks to her warm, vibrant sound and ability to sing evenly over an astonishing range, the AP notes. More»

Pavarotti had blend of talent, self-confidence to hit hard note

(NEWSER) - Pavarotti’s obits called him “King of the High C’s,” a nickname he earned for hitting a note that many tenors have to fake in falsetto. “It’s the absolute summit of technique,” says a coach. “More than anywhere else in your voice, you have to know what you’re doing.” The alluring note has made and ended operatic careers, and even helped drive one star to suicide, the New York Times reports. More»