Fourth Kind: Not Real, Not Scary

Movie reviews: Rachel McAdams, Channing Tatum can't save amnesia romance

(NEWSER) - In The Vow, Rachel McAdams plays a woman who must learn to love her husband again after amnesia wipes her memory. It's no surprise it was released ahead of Valentine's Day: It's pure mushiness, critics say.

• In the New York Daily News , Elizabeth Weitzman calls the film a "down-the-middle, by-the-numbers fantasy, in which no one is too quirky or interesting or challenging in any way." Still, "there’s no shortage of viewers ready to embrace an old-fashioned, guilty-pleasure romance."

Kristen Wiig comedy snags another record

(NEWSER) - It's official: Bridesmaids has become the most popular video-on-demand movie ever, with 4.8 million rentals in four months, says the Hollywood Reporter . It's just the latest record for the sometimes raunchy female comedy, which is also the top-grossing movie in its genre ever made—$288 million worldwide. And that's not counting $100 million in Blu-ray and DVD sales in the US and two potential Oscars—for original screenplay and supporting actress (Melissa McCarthy). More»

Daniel Radcliffe makes post-Hogwarts debut

(NEWSER) - The boy wizard is back—but this time, he's a 19th-century gentleman. Daniel Radcliffe is generally successful playing a spooked lawyer in The Woman in Black, a throwback haunted house thriller. What the critics are saying:

• The film "makes the most of its old-fashioned virtues," writes Manohla Dargis in the New York Times . It "isn’t especially scary, but it keeps you on edge, and without the usual vivisectionist imagery." For his part, Radcliffe "has the haunted eyes of the eternal mourner."

Liam Neeson stars in survival thriller

(NEWSER) - The Grey, a survival-in-the-wilderness thriller starring Liam Neeson, is earning a wealth of literary comparisons. The film tells the story of a group of men stranded in the snow after a plane crash, and critics are mostly impressed.

• In the New York Times , AO Scott applauds the "fine, tough little movie, technically assured and brutally efficient, with a simple story that ventures into some profound existential territory without making a big fuss about it." The film is "as blunt and effective—and also, at times, as lyrical—as a tale by Jack London or Ernest Hemingway."

Helps redeem otherwise mediocre film

(NEWSER) - As a biopic, The Iron Lady is nothing to write home about—but critics are blown away by Meryl Streep's typically excellent performance as Margaret Thatcher:

• The film contains "little sense of the outside world, the human cost, or the ripple effect of divisive government policies. It is a movie that gives us Thatcher without Thatcherism," writes Xan Brooks in the Guardian . But Streep "is the one great weapon of this often silly and suspect picture." She offers "a masterpiece of mimicry."