Sure, there was plenty of "hero sex," but the aftermath of the Miracle on the Hudson wasn't all sunshine and rainbows. It's that story Clint Eastwood has chosen to tell in Sully, starring Tom Hanks as pilot Chesley Sullenberger. Here's what critics are saying:
- Richard Roeper at the Chicago Sun-Times calls it "an absolute triumph." It's "an electrifying thriller, a wonderful in-depth character study and a fascinating airline safety procedural." Hanks, meanwhile, "is so good he could play this character in a one-man show with nothing but a chair and a telephone onstage and it would be riveting."
- "That it unnerves you as much as it does may seem surprising, given that going in, we know how this story ends." But Eastwood is "very good at his job, a talent that gives the movie its tension along with an autobiographical sheen," writes Manohla Dargis at the New York Times. In particular, he offers "a master class in direction" during the accident scene, while Hanks makes a perfect Sully.
- Stephen Whitty at NJ.com says the accident scene is "the best part of the film," but he's not so enthralled with the rest of it. Basically, he concludes "there's not enough story" to warrant a feature-length film. Flashbacks to Sully's youth "add nothing but time," while the National Transportation Board Safety Board investigation delivers no drama or suspense, he adds.
- Ann Hornaday doesn't agree. Sully is "a four-square, upstanding, rock-solid example of filmmaking at its most direct and honestly affecting," and is "thoroughly engrossing and exciting to watch," she writes at the Washington Post. "To paraphrase the title character, it's just a movie doing its job. And amen to that."
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